“The general mass of western readers nothing absolutely knows on the esoteric systems of numeration of the old world; and not even it suspects how deep tracks left in the Christianity. Nevertheless, these numerical systems solve the problem of cosmogonía for that studies them…”

H.P. Blavatsky: Secret Doctrina

An article published in the New York Times, assures that as a result of the popularización of the interesting mathematical explanations of Dan Brown in its book the Code Gives Vinci, the editorials have on sale put sinfín of books about the Phi number and other constants of the universe, as much, that the sagas of the Code “are on the verge of becoming a sort by itself”. (1) the Times attributes east phenomenon to the mysterious dawn that Brown managed to give the Phi number, of such form that their readers remain with the irresistible illusion from which they are obtaining a primicia and now they are possessors of an important key about how the universe works.

Brown describes to Phi, the call Divine Proportion or Golden Section, like the mathematical mystery to which she obeys the spiral form of the shells, the fragmentation hand grenades of the pines and other symmetries of the nature. It assures that the knowledge of this revealed mystery, that was expressed in the proportions of the Greek Partenón and the masterpieces of Give to Vinci and Miguel Angel, comprises of a protected esoteric knowledge during generations by the Francmasones, Rosacruces, Iluminati and other societies that secretly have dominated the world.

And to finish clearing the mystery, the protagonist of the novel also says that the Phi number is implicit in the pentagon and the star of five ends, like representation of the feminine aspect of the deity, the goddess…

With object to celebrate the appearance of the first number of our magazine f - genuinely framed within which they could call the European sagas of the Code in this text I set out to rake, to where it is possible to me, the sources of that esoteric knowledge of the Phi number and its divine relation with the feminine thing.

Beginning by the contemporary history, oldest than we found on the golden proportion is a reference to the Babylonians, that already knew time before it happened to comprise of the mathematical concepts of classic Greece.

Unlike the official history that is taught in our schools, the history of the esoteric cronistas goes back much more back, until other terrestrial races or civilizations previous to ours. The gnósticos and the teósofos, for example, think that old the Egyptians knew the presessions the equinoxes, the circumference of the globe and the secrets of Phi by virtue of which this knowledge was part of the inheritance which they took with himself to Egypt the survivors of the missing Atlantis.

They say the gnósticos that such survivors were wise people who became aware radically different from ours. They saw the world in symbolic terms. They thought about the nature as the “writing” generated by Metaphysical forces authors of the creation and they did not consider to Phi like a simple architectonic or aesthetic canon, but like the mathematical archetype of the universal manifesto that structures the cosmos of asymmetric and ordered form, from a shell to a galaxy… And in center of this old vision he was the Conscientious Man, who was the goal and the coronation of the Universe. Individual in which “the intelligence of the heart” was wide-awake, being able to interact with those forces Metaphysical using power creative of sound instead of his aspect destructive, that was indeed what caused the collapse of the Atlantis, according to them.

According to its histories, when the Egyptians raised pyramids and others of his amazing constructions there were organized choirs of 12.000 voices that, through use of the directed and controlled sound, could carry out the heaviest work of so extraordinary architecture.

This idea of the used sound as it forces creative is very old. According to the Rig Prohibition, universofue “sung to the life” through sound. “At the outset it was the Verb”, said San Juan in the prologue of his Gospel. The sufíes consider that “HU” is the last creative sound. And the tibetanos think that the “OM” is the company/signature of the sound of the universe and that to recite it continuously aloud aid to remember the unit primigenia creating a pattern of geometric frequency that increases the degree of order, unifying psique human. The esenios, a third of the Jews who lived in the days of Jesus Christ, used the technical sound as of sanación and many old cultures also did it.

For the students of the esoterismo, any progress in the field of the car knowledge is connected with the understanding the nature and the nature assumes the Phi harmonica… Which hypothetical could mean that the use of the Phi harmonica would help to recover the lost order in the cases of disease and to conserve the health, extending therefore the life. At the present time there are investigators working in this sense, but before referring us to his incipientes and unexpected results, it is necessary to explain with greater depth the power than the esoteric knowledge grants to the sounds expressed through the letters and the numbers.

Like anecdote peculiar, our science undressed of misticismo mentions that pentagrama was the secret password of the Pythagoreans, to those who their detractors erased of sectarian crazy people to say things such as that there were ominous and fastos numbers, that is to say, maleficent and beneficial. The one for example, was good because it symbolized harmony and order, the principle of the good and the symbol of the Divinity. However, number two was bad because it expressed the dualidad of the good badly and. In fact false and opposite everything what was double, to the unique reality, was described by the Pythagoreans like binary. And between his fastos numbers, obvious it emphasized Phi, the number of gold that expressed the intelligible beauty of “the mónada one”, or the Great Architect introducing in the chaotic matter the idea of symmetry, order, balance and beauty.

In some point, all the old mistéricas schools teach to their students the use of the sound like a creative and sanadora force. In fact, he himself Pitágoras had a great influence in the study of the musicoterapia, the existing refining of the musical intervals and magical proportions between stars and sounds. Its numerológico system used hieroglyphic symbols by means of which it tried to explain all the ideas relative to the nature.

Unfortunately, among other things that we have been losing with the atomizaton and specialization of our days, one is that Pythagorean holismo that allowed to entretejer mathematical, music and sanación through visual symbols that lodged different interpretations for a same word or number.

Madam Blavatsky remembers to us in the fifth volume of the Secret Doctrine that was a time in which the numbers and the letters were not separated of their sound and had several levels of meaning. The alphabet of the Hebrews, that today only investigates the students of Kabalah and numerología, was one of these complex systems of communication. Each one of its 22 letters, besides to have a sound, has a numerical value and altogether an emanation or visible expression of the divine inherent forces to the indescribable one is considered them like. One says that the scholars can know to things such as the destiny or the purpose of the existence of a person just by of reading their name written in these characters.

However, the characters devanâgarî in which the sánscrito was written, consider a complete and powerful alphabet still more because their 16 vowels and 35 consonants suppose a much more ample infinity of combinations that the one of the alphabet of the Hebrews. In words of the medium Helena Blavastsky, founder of the Teosófica School, these characters “contain all the elements of the alphabets hermetic, Chaldean and Hebrew, and in addition the hidden symbolism to the “eternal sound” and the meaning given to each letter in their relation with the spiritual and earth things”. (2)

The Hindus assured to have received the characters devanâgarî of the same Sarasvatî, inventor of the sánscrito, the “language of devas”, or Gods. In the same way, the Kabalah calls to the hebrero alphabet the “letters of Los Angeles”, communicated the patriarchs of form similar to as rishis devanâgarî received from devas the characters.

Its character was then more nobleman. Of such geographic form that when the wise people wanted to write something who only understood the scholars, invented a fiction with names of personages and places whose literal characters discovered what the author wanted to codify within his narration. In that then, each denomination and word had its foundation. The name of a plant or a mineral denoted its nature to the initiates, who easily could see the essence of each thing when he was represented by such characters.

With this brief count, now more elements must to face a phrase like this: “Phi is the approach of the universal energy (prana) in a particular point… This energy of resurrection and proportion is the mark of the Christ, the victory on the death and the rejuvenecedor principle of the nature.” Perhaps (3) Good, perhaps no, still it is necessary to entirely abound in the creative and organizing power of the sounds/letters/tie numbers to the feminine energy of the Shakti according to the Hindus…

Of prudent a to its mythology, Shiva I create to the universe by means of the emanation of sound OM. At the outset, the universal one was the coarse ocean. Its feminine aspect, Shakti, caused waves that were the first characteristics of individualización. Through the differentiation of these waves, the matter of the universe in its diversity of forms was originated. In the course of the evolution of the Shakti universe it descends to the lowest form of vibration, that is the physical matter and the game consists of returning to rise eeting again its unicity in Shiva.

This cosmology imagines in the figure of the cosmic dance of Shiva: creator, player who happens human and learns to being divine, everything in decurso of its dance. The movement is energy and this symbol demonstrates that idea. The movement is vibration and therefore creation. Its dance is the whole dance of the cosmos, the black movement of stars, planets, satellites, systems, galaxies, explosions, holes, and simultaneously, the same space.

The dance of the Cosmos is a spiral movement as movement is appraised in the macro the galaxies through space. This spiral movement is the essence of the life, the motor of the creation of the vibrations, music, the matter and the flow of the life. The dance of the divine Shiva we can observe it not only in terms of our Solar System, but in any other system of the cosmos or directly in our own cells conforming our DNA. Not only we are dancing we ourself this spiral dance, but that we are the same dance.

And this spiral movement also can be represented mathematically through the golden section… The DNA it exactly has he himself rate of dance that the cosmos and this spiral movement is printed in the horns of the animals, the marine shells and other objects in which it is shaped and it allows us to recognize it through the divine proportion.

The works of art of the initiates in the esoteric doctrines, not only made use of the golden section to show a perfect aesthetic symmetry, but that were showing to us how we fitted in the amplest picture of the creation, through the mathematical relations and proportions. They were graphically illustrating the dance of Shiva, the same creation of the creator vibrating to the cosmos to the existence through movement, the dance that we are and we danced.

These so deep ideas that the secret doctrines learned the initiates reading, were not shared by the majorities because in those times, the ignorance was the norm and most of the population of the planet was illiterate. The powerful ones felt extremely intimidated before any deep truth, fearing to lose their control. They believed things such as that the Earth was flat and any opposite affirmation, it seemed to them a worthy blasphemy of the bonfire. For that reason the old wise people were themselves forced to hide their intellectual knowledge and to work in the greatest secret.

During all the Average Age the esoteric knowledge was developed thus, until the Renaissance arrived and the humanity began to leave the dark of its ignorance little by little. Leonardo Da Vinci, who is the quintessence of the renacentismo, obtained much data of esoteric sources. Archifamoso Su Study of the Human Proportion came directly from the wisdom of the Brotherhood of Dionisiacos Architects, that was one of the mysterious secret societies of the time. Their initiates had many knowledge of the call Sagrada Geometry, including by all means the golden proportion. This wisdom inherited the members of the masónicas lodges, for those who “God is a sphere whose center is everywhere and the circumference in no.”

Jovan Zec, member of the Great French Lodge, explains in these terms the relation of the architecture and geometry: “To the light of the Franc-Masones, the forms of the geometric properties as much have another meaning in the symbolic plane as in the power plane, both indissoluble… those forms declare, in the context of the architectonic use, a deep dimension, that exceeds the semantic dimensions of the habitual meaning, talking about to which he is sacred, in which find its fullness… geometry is taken root, in name of its origin, just like the divine proportion, in the sacred Being and his fullness.” (4)

The templarios had the same architectonic conception. Let us take like example the rosette from the Templaria Hermitage from San Bartholomew, in the Tube of the River Lobos, Soria. All the mandálica figure of the rosette leads us to its center. This pentagon is, as well, the center of the five hearts and, more directly, of the star of five ends or pentalfa, which, as already it has been mentioned, was the sign of recognition between the Pythagoreans. The fact that pentalfa of the rosette has the main vertex downwards motivated speculations about the diabolic character of this rosette. Nevertheless, the esoteric explanation nothing has to do with the devil, but with the investment of values necessary to conclude the sagrada dance of Shiva.

Within nobody pentalfa can be registered the figure of the human being with the open extremities. In the case of pentalfa invested the human image is head watching the sky down and not it terrestrial materiality, which is highly spiritual. This image is related, for example, with the figure of the hanged person, the twelfth arcane greater one of the Tarot than symbolizes the investment of human values necessary for any individual that decidedly directs its life towards the espiritualidad, leaving its old profane and worldly life. Pentalfa was a symbol of the health and peculiarly the virgin venerated in San Bartholomew is the Virgin of the Health.

The Order of Temple in its more hermetic circle had a sincrético knowledge of the thought esenio, sufí, alchemy, Jewish Gnosticism, kábala and Nordic runología. This explains the additional symbolism of the hearts with which pentalfa of Lobos river is constructed. In the Islam the five are the favorite number that governs the sacralidad of the ritual acts and the heart is the organ by means of which the true knowledge, the comprehensiva intuition, the gnosis of God and the divine mysteries takes place, in summary, the organ of perception with quepuede to include everything what receives the denomination of esoteric science. Its supreme vision is the vision of the unicity, the end of the cosmic game of Shiva, end that is again the principle. End that the sacred heart of Jesus glimpsed the Christ, as well as the one of Gautama the Buddha and the one of all the Promoted Masterful calls.

In Egypt, the wide-awake heart was represented by a glass or a glass, which leads to us directly to one of the most sacred symbols of the Average Age: santo Grial. The search of Santo Grial in esoteric terms is the search of the illumination or ascent of the human being.

In contemporary texts of the current call “New Era”, long ago emphasis in which we are arriving ourselves at a little while crucial in which there will be a species of quantum jump within the human evolution. Due to this jump, the solitary footpath of these promoted teachers will become one journeyed reconciled by who it will promote the whole humanity in a matter of a few centuries.

According to they agree in indicating several of its different sources, this has a cosmological explanation. Because our Solar System has a cycle of spiral rotation of 26 thousand years around Alcione, the central star of the Pleiads, from 1960 we are beginning to cross what it is known like “the photon band”, a space of the universe in which the cosmic energies substantially elevate the vibratory level of everything what crosses by its field, including the human conscience.

The pacifist movement of the hippies went a reaction to before the first human perceptions of the energy of the band of photons, since in our material world the perception of these high ferecuencias is translated like “waking up massive of the slept consciences”. This means that every time will be more people questioning the old systems of domination, looking for important explanations the philosophical questions of the existence, changing its form of life and waking up to the vision of its heart by means of the aid that the old renewed mysteries will offer him. One assumes that these mysteries are being revealed massively through different means. The one of which it is by all means Code Gives Vinci who has popularized the knowledge of the divine proportion and has caused that many people question things that before were believed unremovable dogmas, like the celibacy of Jasucristo…

Toni Sttubs, the medium or channeler of one of the most important books of the New Era, allows that the wisdom of Seraphis (well-known as Thot or Hermes Trismegisto) is expressed through him to warn its readers:

“You can not verte like an initiate of a modern school of mysteries, but you are it. Most of the things that to the initiates of the antiquity were taught to them are available of way generalized nowadays in books, including this one. Also the same classes of instructions for the psychic abilities are available of generalized way today. If this surprises to you, remembers that most of the population in the first days it did not know to read and it was governed by what you would call primitive superstition. It can that you have another advantage on the initiates of the old schools of mysteries. In those days, the ascent was a personal and individual experience. But nowadays, the complete planet is going towards a planetary ascent. So that all you they can make the necessary changes in a short lapse, many beings, like I, we are preparing them the way so that you they can maintain the passage of the progress of the planet.” (5)

Between the followers of this current New Era interested in reaching the ascent, we found to many delos therapists and scientific investigators more vanguardistas, some of which are exploring old systems of sanación to incorporate them to the advances of our contemporary science. For example, those that at the moment investigate the application of the Phi harmonica to the sanación.

In the keyboard of a normal tuner there are no notes that correspond to Phi, nevertheless, an experiment with a binaural generator Korg M1 in the key F was carried out. Assuming that this is the key of the love, according to the Pythagoreans, took place five tones in Phi and they shared with near a dozen of people, each one of which assured to have had remarkable experiences and animated to the investigators to continue the project. These carried out another experiment with the Korg M1 decided to choose a specific tone and to generate binaurales tones on their base. The selected tone was of 136,10 Hertz. This election was taken with base in the studies from pitagóricoas that calculated the orbits of planets and later they assigned to specific vibrations fractals to them to each planet. 136,10 Hertz. she was what the Greeks determined like the specific Earth vibration, which seems to be the vibration of the OM. By means of specific calculations, Dan Winter obtained five tones in overtones of Phi. The tones were called Terrestrial Tones. The expectation was that experiencing the overtones of Phi some opening of the heart could be reached.

The first results were described in the following terms in a page Web: “The wire of the individual experiences between the investigators was that all had Experiences Outside Cuerpo (EFC). Some were light and others were deep. The Unitary Conscience accompanied the EFC. Not only it happened the EFC of independent form but that the experimenters were to themselves in Unit Outside the Body. The experience to be with other people in a tunnel also was deep. The apparent ability to work with others in processes of sanación in that tunnel of light contains a monumental potential.” (6)

If this is thus, the monumental potential is not reduced to the field of the sanación, but to all the fields, beginning by the theology. Since, while the theologians differ well-known in their hypotheses about the divinity and, more still, in the conclusions that they infer of these hypotheses, the mathematics seem to form a totally coherent unit, in which complete agreement exists about all the important questions and of singular way, as for the demonstration, that is, the procedure by which can be definitively established and to be admitted by all, proposals that never deal with a reality Vista. “If a mathematical question has a defined answer, different mathematicians, using themselves diverse methods, working in different centuries, will discover the same answers.” (7)

We can imagine that the mathematics will give the key us to unite science with the espiritualidad, replacing the religion or, in fact, becoming the foundation of the true religion?

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